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On May 27, 2013 12:01 PM, tacomaart-request@cityoftacoma.org wrote:
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Today's Topics:
1. Last chance to register for Japanese Temari Workshop
(Kathy Hewitt)
2. GIULIANIAD on Thursday in Tacoma!
(Salish Sea Early Music Festival)
---------- Forwarded message ----------
From: Kathy Hewitt kathy@kathleenhewitt.com
To: Tacoma Art Listserv TacomaArt@cityoftacoma.org
Cc:
Date: Sun, 26 May 2013 12:41:28 -0700
Subject: [TacomaArt] Last chance to register for Japanese Temari Workshop
Space is still available for the 2-day, 10 hr workshop planned next
Saturday and Sunday, June 1-2 at the Asia Pacific Cultural Center in
Tacoma. If you and/or a friend has an interest in Japanese culture, folk
art, history, etc. and have the time, please contact me asap to register:
kathy@kathleenhewitt.com
253-229-3100
Cost of the workshop is $100 - broken down, that's $10/hour and includes
the benefit of a small class size. This class also contains detailed
illustrated handouts about each stitch taught and instructions for the
temari design, "Life is a Circus." All supplies and materials are included
with an additional $15 (plus tax) fee. You need only bring yourself and a
bagged lunch and drink.
Some of you may have seen me demonstrating Japanese temari at a local area
event. If so, you know this art is not as difficult as it appears. The
mystery is in the technique. The study of Japanese temari offers many
benefits. Some of my favorites are:
- a balanced, peaceful, meditative awareness through the use of
creativity and logic (using both sides of the brain)
- joy in creating something special and unique
- a sense of connection through temari's symbolic representation
Right now I have 4 eager students returning for their 2nd class on the 2nd
day of this workshop. They have already learned what will be taught on the
1st day. If you couldn't make it to the "Wrapped Bands" class taught last
month at the Asia Pacific Cultural Center, this workshop will cover it and
more on day 1. Day 2 will consist of learning to stitch open shapes and
spindles. Techniques of layering, overlapping and interlocking will also be
studied. I purposely designed the temari for this class with the intent of
including as many elements as can be covered in a 2 day period.
I am an organized instructor. In 2008, I was certified "Shihan"
(Master/Teacher) by the Japan Temari Association located in Tokyo, Japan.
I've been a student of temari for over 14 years. With a passion to share
this dying art with others, I enthusiastically offer this workshop. I hope
you will be able to join me and the others next weekend.
Wishing you peace on this Memorial Day weekend,
Kathy Hewitt
---------- Forwarded message ----------
From: Salish Sea Early Music Festival salishseafestival@aol.com
To: TacomaArt@cityoftacoma.org
Cc:
Date: Sun, 26 May 2013 21:01:05 -0700
Subject: [TacomaArt] GIULIANIAD on Thursday in Tacoma!
**Tacoma • 2013
Salish Sea
Early Music Festival
JOHN SCHNEIDERMAN early 19th-century guitar
JEFFREY COHAN 8-keyed flute (1820, London)
~ GIULIANIAD ~
Music from Beethoven's Time by Mauro Giuliani
Thursday, May 30 at Trinity Lutheran Church at 7:00 PM ~
[image: John Schneiderman][image: Mauro Giuliani][image: 8-keyed flute]
John Schneiderman & Mauro Giuliani
This Thursday, May 30 at 7:00 PM • please forward
Trinity Lutheran Church
12115 Park Avenue South in Parkland (Tacoma) · (253) 537-0201
The suggested donation is $15 or $20, and youth 18 and under are free.
University students suggested donation $5.
www.salishseafestival.org (performances also in Seattle and on Vashon
Island)
Mauro Giuliani, a phenomenal guitar virtuoso, composed the "cream" of
the flute and guitar duo repertoire, seldom to be heard on the sweeter,
more intimate and expressively nuanced instruments with which he and his
friends Beethoven, Rossini and Hummel were familiar. The Giulianiad was
a journal for guitarists published in London a few years after Giuliani's
death.
LISTEN:
~ on the 8-keyed flute by George Rudall, London, 1820 ~
Louis Drouet's variations on God Save the Queen, with guitarist Oleg
Timofeyev http://www.jeffreycohan.com/LFDrouet.mp3
Joseph Kennedy's variations on Auld Lang Synehttp://www.youtube.com/watch?v=wvUYp4hreDk
~ hear John Schneiderman (baroque lute) and Jeffrey Cohan (baroque
flute) with cellist William Skeen ~
Adam Falckenhagen's Larghetto from the Concerto in A Majorhttp://www.youtube.com/watch?v=NfiYWcmZ-0Y
Adam Falckenhagen's Largo from the Concerto in G Minorhttp://www.youtube.com/watch?v=nGwIuYL-E9g
The program wil include the* Gran Duetto Concertante Opus 52* and Opus
85 (the famous one in A Major), the Grand Potpourri Op53 and Opus 126,
the Handel Variations Op. 107 for solo guitar and selections from Originael
Maersche der Verbuendeten Maechte and Zwolf Laendler samt Coda, all
written between 1814 and 1823. Please join us on Thursday! Reception
follows. Many thanks to Trinity Lutheran Church.
— *JOHN SCHNEIDERMAN *—One of the lights on early music’s international
circuit —San Francisco Chronicle • *Extraordinary virtuosity …*dazzling
breadth of movement and emotion —ArtsHub Sydney • Dexterous
brilliance … a winning mix of flamboyance and subtlety —*The Australian *
*• web page: *John Schneiderman http://www.johnschneiderman.comhttp://www.johnschneiderman.com
— JEFFREY COHAN —An expressive spontaneity and communicative
intensity that kept a listener consistently absorbed … can play many
superstar flutists one might name under the table —The New York Times•
Virtuoso flutist ... astonishing time and time again —Der Bund, Bern,
Switzerland • The Flute Master (headline) —*The Boston Globe *• web
page: Jeffrey Cohan http://www.jeffreycohan.com *http://www.jeffreycohan.com/
*
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