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********************Dear Friends,
Our 2025 Festival in Tacoma offers a diverse series of programs spanning
three centuries (1525 through 1835) and featuring new artists who will
come from Kyiv, California, Switzerland, Montreal, Baltimore and
Washington, DC, including Ukrainian harpsichordist Olena Zhukova,
violinist Elisabeth Blumenstock, Spanish harpsichordist Irene
Roldàn, viola da gambist Mélisande Corriveau, theorbo player William
Simms and viol virtuoso Tina Chancey. Fabulous artists and familiar
old friends are to include harpsichordists Elisabeth Wright
(Bloomington), Bernward Lohr (Hannover) and David Schrader
(Chicago), recorder player Vicki Boeckman (Seattle), violist Lindsey
Strand Polyak (Whidbey Island), violinists Anne Roehrig (Hannover),
Elizabeth Phelps (Seattle) and Courtney Kurroda (Los Angeles),
bassoonist Anna Marsh, viola da gambists Susie Napper (Montreal) and
Caroline Nicolas (New York City) and guitarist Oleg Timofeyev (Chicago).
Our tentative schedule follows without specific dates as of yet, which
will be announced very soon. We are so excited to share this music with you!
Jeffrey
Irene Roldàn https://ireneroldan.com/ in /Gallardas de primer tono/ by
Juan Cabanille: https://youtu.be/xyMFRuh-8tQ
2025 SALISH SEA EARLY MUSIC FESTIVAL
— Tentative Schedule (please also see salishseafestival.org) —
January 17-25: — THE CANZONA 2025 —
· Vicki Boeckman, renaissance recorders
· Tina Chancey, tenor viol
· Jeffrey Cohan, renaissance transverse flutes
· Anna Marsh, dulcian (renaissance bassoon)
The "Canzonettes" return after two years with an entirely new
program focusing on the birth of the Canzona inspired by early
16th-century chansons and evolving into the early 17th-century baroque
sonata. Featuring special guest renaissance specialist and innovative
improviser Tina Chancey from Hesperus in Washington, DC.
February 21 - March 1: — THE CHACONNE with LES VOIX HUMAINES —
· Susie Napper, viola da gamba & treble viol
· Mélisande Corriveau, viola da gamba & pardessus de viol
· Elisabeth Wright, harpsichord
· Jeffrey Cohan, baroque and renaissance flutes
Les Voix humaines, the widely celebrated prize-winning duo of
viols from Montreal joins us for a program centering on the chaconne but
extending from the early 17th century through Johann Sebastian Bach.
March 7-13: — THE TRIO SONATA —
· Bernward Lohr, harpsichord
· Anne Röhrig, violin
· Susie Napper, viola da gamba
· Jeffrey Cohan, baroque flute
Trio sonata mastierpieces by Georg Philipp Telemann,
Louis-Gabriel Guillemain and Jean Baptiste Quentin le jeune with our
Musica Alta Ripa friends from Hannover.
March 29-31: — HARPSICHORD MYSTERY —
· Olena Zhukova, solo harpsichord no
The Ukrainian harpsichordist deciphers mysterious and elusive
rarities as well as standards for solo harpsichord by Byrd, Couperin,
Rameau and Scarlatti alongside Ukrainian gems including a harpsichord
sonata by Dmitry Bortnyansky. [only in certain locations]
April 2-12: — EUROPEAN TOUR 1690-1790 —
· Olena Zhukova, harpsichord
· Jeffrey Cohan, baroque flute
An excursion through a century of transformation and
diversity by decade and culture within the baroque and classical
periods, through the perspective of composers for harpsichord and flute
from France, Italy, Scotland, Germany and Ukraine.
May 1-8: — The MUSIQUE DE LA CHAMBRE of LOUIS XIV —
· Caroline Nicolas, viola da gamba
· William Simms, theorbo & baroque guitar
· Jeffrey Cohan, baroque and renaissance flutes
The King's court musical establishment is to be represented
by Jean-Baptiste Lully, Élisabeth Jacquet de La Guerre, Marin Marais,
Jacques Hotteterre, etc., including music designated for the king's
bedtime, evening concerts and banquets, with guests from New York and
Baltimore.
May 16-26: — *CONCERTI from the COURT of FREDERICK THE GREAT *—
· David Schrader, harpsichord
· Jeffrey Cohan, baroque flute
· Elizabeth Phelps, baroque violin
· Courtney Kuroda, baroque violin
· Lindsey Strand-Polyak, baroque viola
A completely new assortment of concerti for harpsichord and
flute from the illustrious members of the musical establishment of
flutist Frederick the Great, King of Prussia, including CPE Bach, Johann
Joachim Quantz, and the king himself.
June 4-11: — BEETHOVEN'S FLUTE, VIOLA & GUITAR —
· Elizabeth Blumenstock, viola
· Oleg TImofeyev, 7-string guitar (Moscow, 1820)
· Jeffrey Cohan, 8-keyed flute (London, 1820)
Repertoire abounds for this popular ensemble during
Beethoven's lifetime of guitar, viola and flute. With outstanding
violinist and violist Elizabeth Blumenstock.
July 9-11: — The 18TH-CENTURY HARPSICHORD IN SPAIN —
· Irene Roldàn, solo harpsichord
Step into the heart of 18th-century Iberia, where the vibrant
court of Madrid stood as a focal point for the flourishing of the rich
keyboard music of Domenico Scarlatti, Sebastian de Albero, Jose de
Nebra, and the Portuguese Carlos Seixas. [only in certain locations]
July 12-20: — JOHANN SEBASTIAN BACH —
· Irene Roldàn, harpsichord
· Jeffrey Cohan, baroque flute
Spanish harpsichordist Irene Roldàn from Basel and Jeffrey
interpret Bach's phenomenal music for flute and harpsichord.
✷ ✣ ✷ ✣ ✷ ✣ ✷
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